Acknowledgments

This work would not be possible but for the efforts of my colleagues in the CSML, whom I value as friends as well as collaborators. Brandon Paul, Kate Guarna, and Erin Allen directly contributed to the research contained herein. Much is due as well to David Clampitt and Gregory Proctor for their continued guidance and musicianly support. I will forever be grateful to Mom, Dad, Jeff, Sean, and Nora, who guided me through uncountable struggles and joys. And finally, special thanks to David Huron, whose passion and clarity of ideas got me involved with music scholarship in the first place.